hari ini dalam sejarah nasyid..

[anabel]

Assalamualaikum..

"mudah-mudahan hari ni lebih baik dari semalam. sedar tak sedar,pejam dan celik rupa-rupanya kita dah berada d tahun 09.umur pun makin meningkat.tahap kematangan berfikir pun,insyaAllah semakin matang dan bernas..sekadar perkongsian untuk sahabat2 yang suka berkongsilah..he he. saya selalu terfikir tentang industri nasyid tanahair yang hampir hilang statusnya."berhibur tiada salahnya kerana hiburan itu indah"..nasyid hari ni sudah menjadi trend.bukan satu keperluan tapi sekadar kehendak.bila industri nasyid ini tidak berkembang, siapa yang harus dipersalahkan. masyarakat sebenarnya akan menuding jari kepada pendokong nasyid itu sendiri.ada yang menceburi dalam industri ini sekadar hobi.dan apabila ditanya, bernasyid adalah untuk berdakwah.persoalannya sekarang setakat manakah keberkesanan nasyid sebagai medan dakwah???? tapi itu pun lebih baik daripada mereka yang langsung tidak ada inisiatif.dalam penelitian saya, konsep yang dibawa oleh penasyid hari ini semakin dekat dengan konsep penyanyi yang bukan berada dalam industri nasyid.itupun mungkin salah satu cara untuk menarik minat mereka yang alah pada nasyid ini. Namun, secara jujurnya, nasyid ini sifatnya bermusim. Kadngkala, masyarakat lebih suka mendengar lagu-lagu nasyid nostalgia, yang mana ,irik dan lagunya menyentuh jiwa dan rohani bagi yang mendengarnya..

so, apa inisiatif baru bagi menarik semula masyarakat lebih cintakan lagu2 yang bole mententeramkan rohani.
NI sekadar perkongsian dan luahan. masing-masing boleh fikir. Sebenarnya, banyak lgi isu-isu yang boleh kita kongsi untuk melatih minda kita sentiasa berfikir dan hati kita merasa..tq kerana sudi berkongsi.

zal insan..

[ekin]

salam...sy juga ingin kongsikan beberapa isu yang telah sy perbincangan dengan edry faizal dari demascus/5forty2 berkenaan konsep nasyid islam sekarang...disini sy forward perbualan kami..harap ilmu yang dikongsi ini akan memberi manfaat kepada semua dlm mencari penjelasan tntg seni islam yang sebenar dari sudut nasyid..

(dari cucu hasan Albanna, Thariq Ramadhan -maaf kalau silap eja nama nie-)
alFaisal Ibn Yusof: In the past, speaking of "Islamic art" mainly referred to a certain taste, inspirations, forms, specific motives, and to an often Eastern way of conveying and expressing emotions and meaning. Today, "Islamic" works and songs are mainly works whose substance is religious because the references or themes are, or have to be, "Islamic." To resist the globalization of a culture that is increasingly motivated by economic profit, shared instinctive drives and the human interest in money, physical appearance, and sex, Muslim artists ofen respond with works uniformly nurtured by the same Islamic references and consequently with the same clearcut, final answers. It is as if people no longer understood the essence of art,
alFaisal Ibn Yusof: which, along with the quest for beauty, allows us to tell of the need simply to express feelings, doubts, our heart, everyday sorrows, the joys and tears of adolescence or of fathers and mothers, old age, solitude, hope, and so many other things. Those aspirations must be taken very seriously because they are meaningful in themselves, above and beyond the religous and philosophical quest for meaning. Islamic "art" cannot be reduced to a series of answers and religous motives expressed more or less beautifully and more or less professionally (and too often, childishly), or to a more or less elaborate reminder of principle that must be respected and norms that must not be transgressed on. Here, perhaps more than anywhere else, a renewed surge of deep creativity is required.
alFaisal Ibn Yusof: If Islam's message calls on us to understand the meaning of life and to respect people's commong good by celebrating life, peace, dignity, welfare, justice, equality, conscience, sincerity, contemplation, memories and cultures, then the Universe of artistic expression is opened wide to everybody's creativity. What is at stake is not to produce "Islamic" song that only speak of such" Islamic" motives as God, the Prophet, respecting parents and norms, and similar things; it is to express through art the feelings and experiences that are part of humankind's hearts and dailylives, with talent and art.
alFaisal Ibn Yusof: I repeart, speaking about childhood, fears, tensions, desires, love, friendship, wounds, separations, hopes, and death in an intimate, natural, universal way is "islamic" and it is not necessary to add specific references linked to a Universe of norms, such as verses, ahadith or Arabic words to give the impression that the work or product has been "islamized."
alFaisal Ibn Yusof: Such an attitude reveals a deep lack of self-confidence in the forms of culture and art in general. Obsessed by the fear of transgressing norms, people no longer know how to simply talk about meaning; they find it difficult to convey the most natural emotions and share life experiences that transcend religious belonging, although those give normss their true meaning.

*begitu panjang lebar penerangan edry faizal atau lebih dikenali sebagai alFaisal..sy byk kali meneliti ayat2 yang diberikan oleh edry...inilah konsep islam yang perlu diketengahkan dlm mana2 seni islam..wassalam